Shelf Abuse's reviews are opinion pieces intended to encourage conversation, nothing more, nothing less. They are not intended as product descriptions or endorsements, but instead serve to discuss ideas and concerns which stem from a experiencing a specific book, comic, film or video game. There is no set structure and no scores.
elysium the art of the film pdf download
DOWNLOAD: https://shoxet.com/2vHQ0H
Elysium is a 2013 American dystopian science fiction action film written, produced, and directed by Neill Blomkamp. It was Blomkamp's second directorial effort. The film stars Matt Damon and Jodie Foster alongside Sharlto Copley, Alice Braga, Diego Luna, Wagner Moura, and William Fichtner.[4] The film takes place on both a ravaged Earth and a luxurious artificial world (Stanford torus design, one of the proposed NASA designs) called Elysium.[5] The film itself offers deliberate social commentary that explores political and sociological themes such as immigration, overpopulation, transhumanism, health care, worker exploitation, the justice system, technology, and social class issues.[6]
The film was released on August 9, 2013, by Sony Pictures Releasing through the TriStar Pictures label, in both conventional and IMAX Digital theaters. It received positive reviews, but critics considered it to be disappointing after Blomkamp's first film, District 9.[7] It grossed $286 million and was released on DVD and Blu-ray on December 17, 2013.
Spider lands on Elysium and finds Max. Spider makes a deal with Max to have his men protect Frey and get her daughter to a Med-Bay in exchange for the data. They make their way to the computer core, where they are confronted by Kruger. Max and Kruger engage in a brutal fight, which ends with Max detonating a grenade that kills Kruger. Spider and Max connect to the computer and Spider realizes that the data will kill Max if he downloads it. Max says his goodbyes to Frey and initiates the download, which kills him but allows Frey to heal her daughter. The police arrive but are unable to arrest Spider, as everyone on Earth is now considered a citizen of Elysium. Medical shuttles loaded with Med-Bays are dispatched to Earth to begin healing everyone that needs help.
Elysium was produced by Bill Block, Neill Blomkamp, and Simon Kinberg, and written and directed by Neill Blomkamp, the director and co-writer of District 9 (2009). It reunites Blomkamp with some of his District 9 crew, such as editor Julian Clarke, production designer Philip Ivey, cinematographer Trent Opaloch, and actor Sharlto Copley, playing one of the film's antagonists. Elysium is a co-production of TriStar Pictures and MRC.[8]
Although the film's story is set in 2154, Blomkamp has stated that it is a comment on the contemporary human condition.[9] "Everybody wants to ask me lately about my predictions for the future," the director has said, "No, no, no. This isn't science fiction. This is today. This is now."[10] In January 2011, independent studio Media Rights Capital met with major studios to distribute Elysium, and Blomkamp shared art designs of his proposed science fiction film. The art designs won over the executives at Sony Pictures, who bought the film after making a more attractive offer than the other studios.[11]
With a production budget of $115 million,[12] production began in July 2011. The film's Earth-bound scenes were shot in a dump in the poor Iztapalapa district on the outskirts of Mexico City. The scenes for Elysium were shot in Vancouver and the wealthy Huixquilucan-Interlomas suburbs of Mexico City. Matt Damon shaved his head for the role of Max. The main role was first offered to Watkin Tudor Jones (Ninja), a South African rapper, who, despite being a fan of District 9 and having a D9 tattoo on his inner lip, did not take the role.[13]
The role was then offered to rapper Eminem, but he wanted the film to be shot in Detroit. That was not an option for the two studios and so Blomkamp moved on to Damon as his next choice.[14] Futuristic designs were executed by Philip Ivey after long periods of researching and studying older science fiction films. Ivey has continuously cited Syd Mead as a substantial influence for the film.[15]
Weta Workshop created the exosuits for Damon and Copley's characters, while the complicated visual effects were handled primarily by Image Engine (who also collaborated on District 9) with additional work by Whiskytree, MPC, The Embassy and Industrial Light and Magic, some of the software that was used for the visual effects were Autodesk Softimage.[16] Re-shoots took place through October 2012.[15] The film's music score was composed by newcomer Ryan Amon and recorded at Abbey Road Studios with the Philharmonia Orchestra.[17] The soundtrack was released on August 6, 2013.
When the film was first announced, Sony intended to release it in late 2012.[11] It later set an official release date for March 8, 2013,[21] before moving one week earlier to prevent competing against Oz the Great and Powerful.[22] In October 2012, Sony then announced they had pushed back the release date to August 9, 2013.[23] In April 2013, Sony also announced that the film would be specifically reformatted for IMAX theaters. By that time, two theatrical trailers and a TV spot had already been showcased.[24] Elysium was originally released on DVD and Blu-ray on December 17, 2013 and later released on Ultra HD Blu-ray on February 9, 2021 by Sony Pictures Home Entertainment.
Elysium grossed $93.1 million in North America and $193.1 million in other territories for a worldwide total of $286.1 million, against a production budget of $115 million.[3] It made a net profit of $18 million, when factoring together all expenses and revenues for the film.[25]
The review aggregator website Rotten Tomatoes gives the film an approval rating of 65% based on 262 reviews and an average rating of 6.5/10. The site's critical consensus reads, "After the heady sci-fi thrills of District 9, Elysium is a bit of a comedown for director Neill Blomkamp, but on its own terms, it delivers just often enough to satisfy."[7] On Metacritic, the film has a weighted average score of 61 out of 100, based on 47 critics, indicating "generally favorable reviews".[28] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[27]
I feel like I fucked it up, I feel like ultimately the story is not the right story... I still think the satirical idea of a ring, filled with rich people, hovering above the impoverished Earth, is an awesome idea. I love it so much, I almost want to go back and do it correctly. But I just think the script wasn't... I just didn't make a good enough film is ultimately what it is. I feel like I executed all of the stuff that could be executed, like costume and set design and special effects very well. But, ultimately, it was all resting on a somewhat not totally formed skeletal system, so the script just wasn't there; the story wasn't fully there.[29]
Books about the art design of mainstream movies can be lavish tomes filled with conceptual drawings and paintings, but the better ones devote a decent amount of space on their pages to the artists that thought up these fantastic worlds. This approach was done for Titan Books most recent coffee table release, Elysium: The Art of the Film, which details the creation of director Neill Blomkamp's dystopic world of 2154. At 176 pages, Titan's Elysium tome covers the art design from the film in a good way that won't leave you regretting your purchasing decision, if you crave to know more about the influences and reasoning that went into the Elysium universe.
The other major category in the book is devoted to the space station Elysium. In this section there's a dramatic contrast between the run-down, poverty stricken environments found on Earth and the clean, cutting edge tech found onboard Elysium. The looks of the vehicles, robots, devices and weapons shift to create a different emotional feel from the film's first half.
Among the people interviewed to discuss the Elysium artwork is legendary concept artist Syd Mead. A man who's design genius goes back four decades in Hollywood, Mead has worked on big name projects before, creating multiple visions of future tech and worlds such as the colony in Aliens, the digital world of Tron and the spaceship in Disney's The Black Hole. So how does a guy like Mead reach back into the creative well and come up with yet another futuristic hallway or vehicle that doesn't borrow too greatly from his past work? "Corridors are the prime example of [design in] science fiction films, where you've got a character running down a corridor, and it has to look cool," explains the man.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of GCR18B - OPEN SEASON - LOST TRACKS AND OTHER DEMOS, GCR18A - OPEN SEASON DEMOS, Machineries of Joy BONUS DISC, A Lovely Day Tomorrow EP (with The Ecstasy of St Theresa), GCR015(b) - Sea Of Brass - Live at the Barbican, GCR001 - Fear of Drowning (Golden Chariot Single), GCR015(c) - SEA OF BRASS - Supplementary Disc, GCR013 - RE-JOYS - Machineries of Joy Remixes, and 17 more. , and , . Purchasable with gift card Buy Digital Discography 80.80 GBP or more (20% OFF) Send as Gift credits from Disco Elysium, released June 21, 2020 license all rights reserved tags Tags alternative film scores indie rock post-punk post-rock soundtrack United Kingdom Shopping cart total USD Check out about Sea Power (Golden Chariot Records) England, UK
The 175 book is now in stores; its standard version can be ordered HERE while a Deluxe Edition...offering a Blomkamp autograph and a limited edition illustration by the incomparably awesome Syd Mead (a designer on STAR TREK: THE MOTION PICTURE, BLADE RUNNER, TRON, and 2010 as well as this film), and more...can be found HERE. 2ff7e9595c
Comments